www.warehouse13.net.ru - years ago, i wear you said
You were just a simple professor.
You left out the top-secret warehouse
Full of madcap.
- claudia. you're the breach.
- knok knok.
- your brother johua visits you
And tells you he's not dead?
- he's tuck. help me bring him back.
- thanks. for not giving up.
- claudia learned a great deal about the warehouse,
Whih could become problematic.
You know what the options are.
- [speaking native language]
- and thi. and thi.
- what artifact did that?
- or is that the artifact?
- it was reated by a little-known culptor
Walter burleigh,
And it was tolen late last night
From a high-end auction house in new york.
But that's not the issue.
The isue is how this thing was stolen, because--
- i'm trying to figure out why
After i just got back into this world
You're in such a rush to hove me out the door.
- because i didn't spend half my life trying to save your life
So you ould surf the net and wath youtube.
- well, excuse me for trying to atch up on urrent events
And the state of the world in the last 1 years.
- hey, we're working.
We're working right here.
- artie, i'm sorry,
But apparently i have to find a job.
Don't know exactly what i'm gonna put
In that little gap in my resume.
- well, hey, what about what got you there in the first place?
- you! - what?
- don't you have something to do?
Like stay out of federal prison?
And aren't you upposed to be writing me
A full tehnial schemati on how you racked my warehouse?
- yeah, buddy. it's upstair. it's almot finished.
- well then, i want you to finish it,
And i want every rediret and every backslash.
Go. now.
And then after that, you're going into the warehouse
And you're gonna re-wire what you unwired when you broke in.
- i'd like to unwire you.
- ah.
The patter of little feet.
- all right, o, artie,
Somebody boosts an ugly sculpture.
Why does that involve us?
- okay, what is signifiant here
I how this thing was stolen.
I mean, this theft was...imposible.
There was a high-end alarm system,
Eight-inch thick walls,
Sealed vault.
So one seond that culpture was there,
Next eond gone.
- but it's till just a well-executed art theft.
I mean, it doesn't automatically shout "warehouse,"
Doe it?
- things rarely shout "warehouse."
They usually whisper,
"hey, that's a little odd."
That's what they do.
Well, i could be wrong. i mean, it ould be nothing.
But i'm probably not wrong.
Last time i was wrong was 187, june.
- stop right there. that.
I want to hear more about that.
- not a chance. go.
- okay.
Here we go.
Going.
- go, go, go, go.
- hey, artie. - yeah?
- hey, uh, you know i love new york.
- oh, a great town. - it is.
- yeah. - so i was just thinking
Maybe you guys ould kik down some tikets to a show, or...?
- well, it depends on the show.
- really? - no. get out of here.
Show.
Like you're even gonna have time
For a stupid musial.
Or that i'd even pay for it.
- off broadway's not that expensive.
- carruther' auction house
Pride itself on eurity.
Thi theft has us stumped.
- video surveillance shows nothing.
- i'm assuming you use an electronic lock
That reords all activity.
- and it ays the door never opened.
- who's selling the piee?
- private etate.
He deided to auction
After he was approached by two intereted parties,
Both with deep pokets.
- when is this auction, uh, scheduled?
- it was for today.
Uh, i hate to ask, but would you mind?
- oh.
- you know, maybe one of these interested parties
Hates competition.
- whih would mean that said party
Has an artifact that lets them pull off
An imposible heit.
- or the simple answer,
An inside job.
- she does bear scrutiny.
- follow me.
- yes, ma'am.
- [clears throat]
- she's out of your league.
- how do you know what my league is?
- not that i ask for them,
But i've got season tickets.
- that's good. i like it.
So the thief take one piece.
Was it the most valuable one in here?
- oh, far from it.
But there's no accounting for taste.
- oh, i don't know.
Some things are just lassi.
- pete. - yeah?
- [clears throat] come here for a second?
- hmm?
- why don't i, uh, stay here in the vault
And look for anything, you know, "warehousey",
And you go heck out thoe two interested partie?
- well, wouldn't things go quicker
If we just worked together?
- well, not if you're on a date.
Look, thi way we can cover twie as much ground,
And maybe you'll even get done in time
To take, uh, skirt girl to a how.
- two interested parties, huh?
- i'll get their info.
- great. i'll, uh, go with.
- batter up.
[workers houting]
- agent lattimer?
- hey.
- gilbert radburn.
- yeah, i've een your name on a few buildings.
- good. that's why i put it up there.
What an i do for you?
- you were intereted
In the culpture that was tolen last night,
The burleigh?
- i was.
And as you might guess,
I'm not fond of losing.
What's the eret servie's interest?
- how it was tolen.
- whih was?
- you mind telling me where you were last night?
- ha. i have no need to steal.
- well, sometimes it's not about stealing.
You know, it's about onquering.
Like putting your name on a building.
- i was with friends.
- all night?
- thi is the city that never leeps.
You want names?
- yes, please. that would be swell.
Also, why the burleigh?
What's o speial about it?
- eye of the beholder, agent lattimer.
Eye of the beholder.
Yeah, i'll get you those name.
- thank you, ir.
[cell phone rings]
What's up?
- you should get back here.
- you got something?
- i found something behind one of the crates,
But it's easier to how and tell.
- what is it?
- you're not gonna believe this, but...
I smell fudge.
- i'll be right there.
- what are we talking about here?
- well, it's right here. you can see it.
- [exhales]
- right?
- what the hell?
- okay.
- easy.
- oh.
Huh.
- pete, no.
No.
- artifact behavior
Usually require a human element, right?
- yeah.
Just be careful.
- okay.
- okay? - okay.
- [igh] wow.
- oh, my god.
- chek it out.
- it's razy.
- okay, you see this i one of thoe artifacts
That i'd really like to keep.
- pete, put it in.
- hey, roky, wath me pull a rabbit out of my hat.
Now that's ool.
Ouch.
- that's what i thought.
- what? that pinching cause pain?
- no. no, i know that.
But the feather,
It only works up to your elbow.
- so not enough to get in and out with the sculpture.
- exactly, which means that thi i only part of the artifact.
It's not the whole thing.
- oh. at least that narrow it down.
We're looking for an arts-dealing bird
That walks through wall.
- like artie always says...
- [both] never rule anything out.
- show me.
- okay.
- looks native american.
- yeah, we think it fell off something larger,
A ceremonial objet,
A walking stik, a peace pipe maybe.
- or a bird.
- yeah. any gues as to who thi thing belonged to?
- uh, well, maybe one of the two guys
Who wanted to buy the culpture,
But we haven't interviewed one of them yet.
- radburn's too rich to risk it.
He ould outbid donald trump.
I think we an rule him out.
- n-never rule anything out.
- okay, uh, well,
The second guy's a rih dude.
His name's jeffrey weaver.
- jeffrey weaver.
Is that the son of alexander weaver?
- um, artie, who i alexander weaver?
- yeah, was.
He was an extortionist,
A real estate swindler.
And a ravager of ultures.
Not a nice man.
Now deceased.
And...yes.
Son jeffrey lives in new york.
So...
Look, unless the acorn fell very far from the tree,
Wath your backs.
- hmm.
- whih one are you?
Let's see. is it that one?
Whoa! oh. geez.
Hey.
[blows] chill, parky.
- uh, how's it going?
- you mean are you scared i'm gonna burn the house down?
Emergency exits are clearly marked.
- you think my oncern for you i insincere?
- i think you should pass me the cable shears.
Those.
- so...anxious to get on with your life?
- such hocking insight.
Did my aura tell you that?
- you're ertainly pushing joshua.
- only 'cause he needs it.
- oh, you do have a thing for him.
- you're hanging the subjet.
- you brought him up.
- now that you've saved him,
Your life's work is complete,
And that cares you.
So you're foring your own need for a purpose onto him.
- genius. and all done without a ouch.
How much do i owe you, dr. freud?
- if joshua accomplishe great things,
Then your sacrifie i justified.
But you're alo afraid of being alone.
Truly alone.
- it's okay if i don't like you, right?
- of oure.
But you do.
- [igh]
- mr. weaver will be right with you.
- thank you.
- wow.
- call the ops.
Crime solved.
- it's not what it looks like.
- no? because what it looks like
I that you're in possesion of tolen goods.
- take a loser looks.
That's not the one that was tolen.
There were four in the eries,
Each named for one of the four elements.
This one is fire.
The stolen one is wind.
Chek with the auction house.
- how can you tell 'em apart?
- you're a trained expert
With a crupulous eye for detail.
Or you read the brass plaque on the base.
Jeff weaver.
Myka bering.
Pleasure.
- [clears throat] uh, right.
Um, you mind telling us where you were last night?
- hosting a charity event
For the children's hospital in new orleans.
- rich, good looking, likes kids.
Who's on a date now?
- okay, uh, you said that there were four sculpture--
Earth, wind, and fire?
- love those guys.
- rock, wind, and fire, actually, and water.
- right.
- it's the artit's tribute
To native amerian creation myth.
- native americans, huh?
You into that stuff? - well, it's an interest.
- you wouldn't happen to be missing a feather would you?
Maybe off something that lets you walk through walls?
- what'd you just say?
- you got a lousy poker face there, jeffy.
- new orleans is, what? a three hour flight away?
You're till on our uspect list.
- lacell, get in here.
- whoa. hey. hold it right there.
Don't move. let me ee your hands.
- what is it?
- thi dude was at radburn's
Construction site.
Yeah, he was giving me the stink-eye.
- it's all right. his name is lacell.
He works for me.
- we'll decide when it's all right, okay?
- he alo works for radburn.
It's...it's complicated.
- okay, wait. you work for weaver and radburn?
- look, lacell's not the problem.
If what you said about omeone walking through walls i true,
The sculpture in't safe.
- you think they're coming after this one next, don't you?
- we're standing right here.
I think we got it covered.
- thank you, but i an provide my own protection.
- that's not an offer, okay?
If somebody's walking through walls,
The united states government needs to know who and how.
- all i can tell you i that thi culpture
Is the next target,
So please let me move it to a eure location.
- okay, well, hold on.
What's that, badgey? hmm?
Oh, okay. sorry.
Badgey ays we tay with the sculpture.
So wherever it goes, we go.
- no, no, no, no.
Don't touch that in the middle of the game.
- with whom? - myself.
White's been backed into a orner by black.
I'm waiting for a eureka moment
To save white's butt.
- been waiting a while? huh?
- three months.
Why?
- oh, claudia was looking it over.
Noticed you were in a bit of a pikle.
- she noticed i was in a pikle.
Where i the little demon?
- oh, she's in there.
- she's got work to do. she--
- artie--artie.
She's taking a break.
She's been working very hard.
- i hate that look.
- claudia... - here it comes.
- needs a home.
- this is not the humane oiety.
- she's not a stray cat. - she's not staying here.
- mrs. frederic i getting antsy as it is.
- i'm not suggeting she stay here.
Artie, you an pull strings-- m.i.t., calteh.
- please. - she needs a challenge.
- yeah. - artie, he needs people.
- she's got joshua. - and joshua's on his own path.
Yes, they're both brilliant,
But he's a researher, and she's a doer.
She needs people like her.
- brash, rude, anti-soial, impulsive?
- we're discussing laudia, not you.
- see, that's kind of a low blow.
- you're o brash, rude--
- what are you doing? no, no, no, no!
- yeah, yeah, yeah, yeah, yeah!
Chek. [niffs]
- i'll be damned.
- well, maybe, but i'm not one to judge.
White beats black in nine moves.
- whoa.
- oh!
- ow.
- hey, is the sculpture okay back there?
- yes, it's fine.
- i'm--i'm fine too, by the way.
Thank you for asking.
Hey, would you tell chief leadfoot to take it easy?
And how much longer till we reach the airport, anyway?
- pete, i everything okay?
[grunting]
Pete.
Stop the truck. stop the truck!
Aah!
[groaning]
- pete, are you okay?
Pete, look at me.
- hey, stop!
- pete?
- i need an ambulance right away.
Pete.
- hey, partner.
- [exhales]
- how are you feeling?
- sore.
Everywhere.
Need ookie.
- you've been out for a while.
Remember anything?
- i had my moleule rearranged,
And got shoved out the ide of a moving truck.
- that about ums it up.
- not surprisingly, it give you quite a headache.
- you know, i told artie what you aid
About the buckskin oat before you passed out.
And the creation myth.
He's doing his thing.
- yeah, i don't get it.
I mean, thi guy could be robbing fort knox.
Why the sculpture?
- gues that's our little puzzle, isn't it?
Mm. [laughs] the pretty boy.
?boom chika boom boom ?
[chuckles] what is he doing here?
- jeff got you a free, multi-point inspetion.
Make ure all your part are where they belong.
- oh, jeff did.
- yes, jeff did.
He, um, owns the hopital,
Or built it or omething.
- well, that's handy.
- ahem.
He asked me to dinner.
- it's 3:00 a.m. - well, in the afeteria.
- big spender. - but i said no.
- ah, you should go.
- no, i should stay here with you.
- nah. no. - i mean, pete--
- myka. - pete.
- thi guy knows what's going on.
Go for it.
You know, use your feminine wiles.
Smile.
You're pretty when you mile.
- i am?
- yeah.
- so what does that mean when i'm not smiling?
- kind of frightening.
Head injury. nure.
- [laughs]
- something i said?
- i was just gonna come tell you.
- here i am.
- yeah, you were right.
I have to go.
- wow.
Zero to 10.
I didn't mean today.
I was just looking for some forward momentum.
- yeah, well, artie made a few alls.
And, uh, there's a position at cern.
I should take it.
It's once in a lifetime.
- you're going to switzerland?
- yeah. - smashing atoms?
- like you aid,
Can't spend the rest of my life
Listening to pringsteen and surfing the web.
Hey.
If an interdimensional rift
Can't keep me from being in touch with you,
You think a few thousand miles will?
- well, you better.
'cause i think i've demonstrated
I will hunt you down.
- yeah.
- well, come here.
Come on.
- pete's fine, but omebody else could get hurt.
I mean, where doe that buckskin oat come from?
Is it conneted to the culpture omehow?
- there are hundreds
Of these native amerian creation myths.
- i know, i know.
I still think that the feather, however,
Gives us our best clue.
Anyway, the feather was predominantly used
By the delaware nations,
And also by the...
Aha. by the lenape tribe.
They're the one who old manhattan to the dutch
For 2 bucks worth of arts and craft.
- that's not a great deal.
- you had to be there.
- and according to lenape legend,
The world was created through the spirits of four element.
Four. fire, whih gave us our soul.
Wind, our breath.
Water, death.
It's fascinating.
And rock, whih have the w--
Leena.
Rock gave the world...solidity.
- so omeone has a buckskin coat that manipulate olidity.
- no. - i think that this whole thing
Could be a pattern.
Because if there are artifact that ontrol the other elements,
And somebody were to acquirethose artifacts,
That omebody would have
Immense power over... - the world.
- at the risk of ounding dramati.
- that's never stopped you before.
- that's true.
[farnworth beeps]
- mama?
Ow. ooh, ooh. a--ooh!
[groans]
- pete, what took you so long?
Uh, listen.
Jeffery weaver...
I think that that guy needs a second look.
- myka's taking a look at him now
Over dried turkey, mushy vegetables,
And tapioa pudding.
- okay. you're till in the hospital?
- i got pushed out of the ide of a teel truck.
I'm recuperating.
- yeah, well, recuperate later.
While myka's keeping weaver busy,
Uh, i'm gonna need you to tos his apartment.
- why steal his stuff from himself?
I weaver our guy?
- well, tell me what you find out,
And i will let you know.
- it's very romanti.
- i had, uh, verna turn up the steam tables.
It's all about atmosphere.
- well, you sure know how to wow a girl.
- it's my best move.
So what made you join the secret ervice?
- [exhales] well, um...
It was either that or prison.
I'm kidding.
- what about you.
I mean, what is it you do exactly?
- accrue interest.
Re-invest.
Try to do something good with it.
- that's a nie life.
- yeah, well, it depends on how you got it.
- your father.
- my father, yeah.
- and you don't--
You don't want to follow in hi footteps.
I that it?
- i want to erase hi footteps.
What?
- i'm just trying to deide
If i'm itting here with a good guy or a bad guy.
- you know who was in business with radburn year ago?
- the other guy who wanted the culpture?
- that's right. jeffery weaver's father.
And both those guys tried to push really hard at that time
To ell them, all four of the sculptures.
- [sighs] yeah.
What do they do?
- i don't know.
I gues, you know,
Something happens when you put all four culptures together.
My best guess, omething...
- bad.
something bad.
- you find anything at weaver's yet?
- no, i don't know.
Thi place is clean.
If he's the guy with the oat, he probably...
Oh, come on. - what?
- it's probably nothing. i'll all you back.
- no, no, no. wait, wait. what?
- you got to be kidding me. what a hack.
Bingo mania.
- so what are you really after in all this?
And don't tell me the government needs to know.
- i'm here for the oat.
And, yeah, the government actually does want it.
There are certain things
That just shouldn't be out in the world.
- true.
- but, you, you're only interested in the sculpture.
Why?
They're not that valuable.
- i think things that were created together
Belong together.
- whoever's doing this,
And i haven't ruled you out yet,
I alo colleting them.
What happens when the four sculptures are together?
Seriously, jeff, you should tell me,
Before omebody-- [cell phone rings]
Just give me a seond.
- pete? i everything okay up there?
- yeah, i'm at weaver's.
- what? wh--what are you--
- the guy's got a secret room that's a hrine to burleigh.
He must have bought up everything the guy ever touched.
Whatever's going on,
Your boyfriend's neck deep in it.
- i'll wrap thi up then.
[clears throat]
- so we should probably head upstairs, huh?
- you know, i'd really rather go back to your place.
- you know, it's funny.
I usually like it when a beautiful woman says that.
- that is funny. that is funny.
Because i never like it when my date lies to me.
- you know, i don't--
Burleigh was married to a lenape woman.
And the sculptures
Are some kind of a key
To a acred, underground cave.
- to a sacred what?
- a cave.
Uh, it ays it ontains four offerings
To the pirit of creation.
Somehow he hid the diretions to the ave
In the culptures.
- so those four sculpture,
See, they're a map.
If you put the four sculptures together,
They tell you where thi ave i.
- yeah, but how, artie?
I mean, we're missing something.
- mr. radburn, we found thi man trying to break in.
- it's lacell, right?
What do you do for me, mr. lacell?
- geologial urveys, sir.
- that's right. you see what's underground, don't you?
And yet here you are, lurking very high above ground.
Find anything interesting?
- no, sir.
- you're not a very good liar, mr. lacell.
And you work for mr. weaver.
Don't waste your breath with denial.
Was he wearing it?
- yes, ir.
- let me have it.
Tell me about thi.
- it's nothing.
My father gave it to me.
- don't you mean your uncle?
As i aid before, deception i not your strong suit.
Walter burleigh was your uncle, wasn't he?
Why do you think that i hired you?
I had hoped you would lead me to the place.
Your uncle hid lue to the sacred cave in his art.
What's this?
Water, rok, wind.
Well, that's helpful.
Now i know how to arrange the culptures.
Wait for me outide.
But what then?
How does it work?
How will they lead me to the place
Where the objects are hidden?
- i don't know.
Give that back.
You have what you want.
- do you want to leave here alive,
Lacell?
Oh, i there more?
"the truth is in the dawn."
What does it mean?
- i don't know.
[groaning]
"the truth is in the dawn."
What does it mean?
- i don't know!
- i don't know.
- i suppoe you didn't know.
- "the truth is in the dawn.
The truth i in the dawn."
I--i don't know what that means,
But it's--it's written all over burleigh's notes.
- what's--what's written?
- uh...dawn.
Thi--i mean, i don't know.
Uh, creation, maybe. tony orlando and.
- creation...or destruction.
- yeah. [igh]
Look, artie, how much of this stuff do we really believe?
- well, enough that if he's looking for thi ave,
It's better that we find it firt.
- i would agree with that.
Your partner's already got me overed.
- lucy, you've got some 'splaining to do.
- so where's the ode?
- gilbert radburn beat me to it,
Same way he's been trying to find the ave.
- what ave?
- underground, sacred. chek it out.
- we have to top him.
Like you said, there are some things
That hould not be out in the world.
- yeah, well, what about that big guy
That works for the two of you?
- lacell is lenape.
He want to save the ave too.
He's been my eyes at radburn's digs.
He hasn't cheked in either. i think something's happened.
- okay, so we have to find this cave
Before radburn does.
- well, if he's got all four culptures,
He ould be there now.
- we've got all of burleigh's note right here.
- well, that hasn't helped me solve it yet.
- true, mr. weaver.
But...you're not me.
And right now we need to find the location of that ave
Before radburn does.
- the truth i in the dawn.
Of oure. it's a map.
Thank you.
- so burleigh stopped taking note
When he got cloe to finding the ave.
- yeah.
- it's like he realize the stories were true
And stopped writing anything down.
- well, you know, i think it may be enough
Because i found all these old maps, and i--
- knok knok.
- i wish you wouldn't do that. - [guffaws]
- god! not funny.
H-h-hang on.
- i just ame by to grab my tool
And then i'm hitting the proverbial road.
I'm thinking vegas.
"really? vegas, claudia?
Remember, always hit on 16, never on 1."
- there's gotta be a lenape settlement here somewhere
And it's gotta be somewhere safe.
- yeah, and they'd look for a place
With special properties.
- it's gotta be--it's gotta be omewhere afe.
So...no, this is not--
What--hey, hey!
- dude, have you onsidered mathing these
Against magneti ley line?
- no, you don't...
- one runs right along the east edge of the island.
- right there.
- thi is the south--
- an underground ave in manhattan, huh?
You know, if no one's run into it...
- in all these year, then we can eliminate
Everywhere where they've dug for major utility junctions...
- and subways. this looks right.
- indeed it does.
Guys, i think i've got it. i've got it.
[chuckles] it i lower east ide.
Corlear's hook. that is, um...
That is just south of the williamsburg bridge,
And it's right near the water,
And it's gotta be away from the ubway lines.
And claudia pointed...out...
The...uh...
- radburn's building there.
He's been digging everywhere that burleigh focused
Using new construction to over his hunt.
- then he's cloe to finding it.
Okay, artie, we're heading out.
- yeah, okay, feel free to hurry.
- yeah.
- all right, i need to get right here.
Right next to thi ave. how long will that take?
- we an blow it in five minutes.
- i need the ontents of the ave to be intact.
Nothing can be diturbed.
- content?
Well, if it's a surgial blow,
I say we blast right here next to it
And go ideways the last couple of feet by jackhammer.
- you just get me next to that ave.
I'll take care of everything else.
- let's go. - okay.
- your site's just 18 inche the other side of that wall.
Let me get a ouple guys with jackhammer.
- no one ome near here, you undertand?
- it's true.
It's all true.
The water of eternal life.
Oh. whoa!
- he shall have the power of nature herelf.
[workers houting]
- hey, hey, hey, hey, hey!
Gilbert radburn. where is he?
- down in the blast site. but i'm getting out of here.
- unh.
Let's go.
- he hall have the strength of a hundred men.
And he shall harness the strength of the earth.
- hey, you kind of got your hands full, don't you?
- don't, gil.
You don't know what you're dealing with.
- you're too late, jeff.
Thi is what i was meant to do.
- nut bag. - the nuttiest.
Okay, radburn, drop the arrow.
[both grunting]
- put it back, gil. it's not for us.
- not for you, jeff. you're weak.
And so was your father.
- unh! - ohh!
- listen to me.
You don't know what you're doing.
- the fourth element ompletes the transformation.
Then nothing an top me.
How fitting that this place should be your tomb.
- no, no, no, it's not meant for you.
- they're meant for the man
Who's strong enough to use them.
- argh!
- [creaming]
[all grunting]
- [exasperated igh]
- knok knok. - oh, god. don't do that!
- that just never stops being funny, don't you think?
- oh, never. what are you doing--
What happened with vegas?
- it was too easy. - you didn't.
- just a little pocket money.
[both chuckle]
- shouldn't you be in ollege or something?
Don't you want to be with people your own age?
- artie, i'm not my own age.
Come on.
Writing englih paper and going to frat parties?
Bor-ing!
I mean, at least here, you know,
There's, um... there's a challenge.
- that there is.
You up for it?
- quetion is, geezer...
Are you?
- oh, you are so out of your league.
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